The need for a sophisticated, multinational corps of investigative reporters has never been greater. We live in a globalized era in which our commerce—and our crimes--are multinational. Investigativ...
Events -
Significant attention and airtime is given to troubles facing traditional news organizations -- the almost daily layoffs, downsizing, and course corrections. Conversely, relatively little attention is...
What do Product Managers do anyway? Why are they paid so much? Why does everything take so long? Why don’t they speak English? Can’t editorial do this better? This session allows you to get strai...
In the past year, investigative journalism "Reality TV" shows like Top Story (Kenya) and Journalistic Battles (Armenia) have been bringing journalism to a broad audience while providing on-the-ground ...
What are we getting when we read news stories and analysis from the Middle East? Are we getting the truth, half the truth or nothing near the truth? In Egypt there is censorship that makes telling the...
Learning how to learn: what the international media development sector can teach newsrooms
Journalism education has never been under closer scrutiny. Universities, colleges and newsrooms are all pushing hard to provide reporters with the skills and methods they need to adapt and innovate in...
In only 8 of 31 European countries can the public find out who the media owners are (Media Pluralism Monitor 2017). And even when the information is available, it often comes at a cost, both in terms ...
Covering migration in a time of xenophobia: what's missing in migration reporting?
Across the world, anti-immigration sentiment is growing, with serious political implications. From Brexit in the UK, to US President Donald Trump's wall, to the European Union funding the Libyan coast...
Facebook and Twitter are being blamed for almost every ill of society. Have the tech companies screwed up? Sure. But are journalists justified leaving social platforms and turning their backs on the c...
What war really is: the testimony of two highly appreciated and respected war photographers. Moderated by Marta Serafini.